The soundtrack to this ident is good up until the point where the type comes in. It may be personal preference, but me and Emma both feel that it would become irritating to your target audience after one or two viewings. Look into extending the first part perhaps or finding a different key section that will lend itself to a transition in terms of the imagery on screen.
I hear what you are saying, but the transition of the train coming into the station in the film is a pivotal moment. My audience will recognise it. It is meant to be loud, annoying and utterly against the grain.
The soundtrack to this ident is good up until the point where the type comes in. It may be personal preference, but me and Emma both feel that it would become irritating to your target audience after one or two viewings. Look into extending the first part perhaps or finding a different key section that will lend itself to a transition in terms of the imagery on screen.
ReplyDeleteI hear what you are saying, but the transition of the train coming into the station in the film is a pivotal moment. My audience will recognise it. It is meant to be loud, annoying and utterly against the grain.
ReplyDelete